![]() ![]()
Also, the input/output to and from Mocha Pro standalone seems like unnecessary steps. The alternative is creating very precise, tight rotos and mattes within Mocha Pro for those elements. I like to key elements back on top of Mocha Pro’s output using Fusion’s keyers. It’s more flexible combining all the tools of Mocha Pro with those of Fusion. I opted to use Mocha Pro within Fusion rather than using the standalone Mocha Pro because I’m more familiar with the compositing tools in Fusion. Using Mocha Pro in conjunction with Fusion and Resolve It’s been doing this for over twenty years. #How to use mocha pro manual#If there are parts of a shot where it can get a clean background, it can even automatically remove an object without the need for any manual paint/clone work. It’s a planar tracker and it has some really advanced tools and workflows, not only for creating a really good track on difficult to track items, but it can also remove or replace items in a shot or export a 3D camera solve. #How to use mocha pro software#Mocha is a little different to nearly all other tracking software around. It’s available standalone and as an OFX plugin for stand-alone Fusion, on Resolve’s Color Page, and as a node on Resolve’s Fusion Page. In this Insight we look at the industry’s gold-standard for tracking, Mocha Pro. #How to use mocha pro how to#I would encourage all VFX artists to stay flexible, seek out information from multiple sources, and follow the standards set by the particular studio, project, or supervisor you working for.Tutorials / Using the Mocha Pro OFX Plugin in DaVinci Resolve Fusion How To Use Mocha Pro OFX plugin from BorisFX to remove an object I'll admit I can be unorthodox in my technique and a little obtuse with my explanations, but I firmly believe there are multiple approaches to every VFX problem. Changing pattern on first frame and retracking from start when tracker slips at frame 200 or something is kind of useless, because what you actually want is to capture is new pattern, not just different crop of old one. Capturing new pattern is necessary when match error goes above set threshold, usually due to pattern change from perspective etc or due to lighting changes. This gives an idea of necessary search region size. If you delete forward track that is off and step to next frame, you see how far the pattern jumps. Tracker falls off for two reasons only: searchable pattern is outside of search region or it doesn't find match below error threshold (which is in the end the reason in first case too). There are buttons in tracker ui for both deleting part of track forward or backward from current frame and for removing keyframes. Find the last good frame, delete forward (or backward if doing reverse) track that is off, adjust pattern or search region and track on from that point. ![]() If you want to adjust tracker, you don't need to set keyframes on first frame if you already successfully tracked part of shot. Lee is a world-renowned expert in the video effects field, and has written several popular high-end software books, and taught at the Gnomon School of Visual Effects in Hollywood.Ġ3: Shot A : Transform tracking adjustingĠ9: Shot B : Applying the planar tracking dataġ2: Shot C : Adding additional track pointsġ3: Shot C : Creating a small matte paintingġ4: Shot C : Applying the corner pin dataġ6: Shot D : Planar tracking with mocha pro pluginġ9: Shot D : Exporting and importing the meshĢ1: Shot D : Creating additional matte paintingsĢ2: Shot D : Adding the first matte paintingĢ5: Shot E : Adding different textures to the meshīecome a premium member and get instant access to all the courses and content on Lowepost. ![]() Lee Lanier has created visual effects on numerous features films for Walt Disney Studios and PDI/DreamWorks. ![]() Nuke and Mocha Pro is the perfect combination for all compositing tasks and Lee will teach you the techniques you need to be confident to solve the most complex shots. The course is easy to follow and designed for both beginners and professionals. You will learn how to add digital make-up, tattoos or scars to organic surfaces such as rippling skin, reflections to curved surfaces, and elements to complex surfaces such as flapping flags or undulating clothes. This course is about motion tracking complex surfaces in Nuke 13 and Mocha Pro, and taught by master trainer Lee Lanier. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |